Another creatively constipated day in paradise. Six hours, zero words. I have, however, managed to suss out old Eddie Cahill interviews, eat an entire can of Chili Cheese Fritos and a can of yogurt, and post "Going Under" to
csi_fic. A house afire, I am. It's not for lack of will or ideas; I have both in abundance, but getting started eludes me. Perhaps if my eyes weren't glued to the Internet until they were as strained and desiccated as a camel's testicles...
Whatever momentum I build over the next few days will be disrupted by the rude intrusion of academic responsibility into my fandom playroom. My paper will treat on magical realism in Gabriel Garcia Marques and Julio Cortazar. Exciting stuff if you're a lit nerd, but in truth, reading stories you normally wouldn't is a creative boon, as it expands the pool of literary techniques and allusions from which you can draw. References from Conrad's Heart of Darkness have already taken shape in upcoming chapters of Through a Glass Darkly, Come Ye Home Again, and now that I think of it, the title itself alludes to the Bible, Lewis Carroll, and the aphorism that "you can't go home again."
I will refrain from remarking on how clever I am. See? J.M. Barrie for you. If you read enough, you can scoop these puppies out by the dripping fistsful.
It's not the reading of stories that I mind. It's the tedium of research. For every good to excellent secondary source you encounter, there are thirty bad ones, abstracts that purport the craziest assertions on the flimsiest of evidence. Combing through the material available on magical realism, Gabriel Garcia Marques, and "El Ahogado Mas Guapo Del Mundo"(The Handsomest Drowned Man in the World), I wonder exactly what Crazy Goggles certain academics were wearing when they read it. Someone should tell these esteemed ladies and gentleman that beer goggles are not required attire when undertaking critical analysis.
ETA: Courtesy of
beccaviola, The Craftmatic Adjustable Toilet
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Whatever momentum I build over the next few days will be disrupted by the rude intrusion of academic responsibility into my fandom playroom. My paper will treat on magical realism in Gabriel Garcia Marques and Julio Cortazar. Exciting stuff if you're a lit nerd, but in truth, reading stories you normally wouldn't is a creative boon, as it expands the pool of literary techniques and allusions from which you can draw. References from Conrad's Heart of Darkness have already taken shape in upcoming chapters of Through a Glass Darkly, Come Ye Home Again, and now that I think of it, the title itself alludes to the Bible, Lewis Carroll, and the aphorism that "you can't go home again."
I will refrain from remarking on how clever I am. See? J.M. Barrie for you. If you read enough, you can scoop these puppies out by the dripping fistsful.
It's not the reading of stories that I mind. It's the tedium of research. For every good to excellent secondary source you encounter, there are thirty bad ones, abstracts that purport the craziest assertions on the flimsiest of evidence. Combing through the material available on magical realism, Gabriel Garcia Marques, and "El Ahogado Mas Guapo Del Mundo"(The Handsomest Drowned Man in the World), I wonder exactly what Crazy Goggles certain academics were wearing when they read it. Someone should tell these esteemed ladies and gentleman that beer goggles are not required attire when undertaking critical analysis.
ETA: Courtesy of
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
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